Rembrandt is more often compared to writers than painters. He has been likened to Shakespeare in England and Dostoyevsky in Russia for his explores of human character under extreme strain and stress, be it a brush with death or burial under cornucopia’s gifts. That might be true, but for me he is more of a philosopher with prophetic insights into the social order that would flourish many centuries later.
He craved for recognition when he was young, and for money, when he got recognised and bankrupt. At the time, group portraits were as good a commission in the protestant Amsterdam as an altarpiece in Rome, so the order from the Textile Guild was a godsend.
This is a group portrait of the so-called syndics of the cloth merchants’ guild, or people who ruled the textile trade in the Netherlands, using the subtle tools of quality control. They were a powerful group intricately linked…
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